Winter 2024
Poetry by Jessica Kinnison
Selected by Louisiana Poet Laureate Alison Pelegrin
Published: December 1, 2024
Last Updated: December 3, 2024
Names that End in Y
I don’t care about the world,
I only care about the people I know.
Last week, I got a current client confused with another client who
wandered into the street at 2 AM and was run over by a passing vehicle.
The driver kept going.
The clients both have names
that end in “Y.” They’re both beautiful to the point of being unreal,
dead or dying.
I know beauty everywhere.
I say to whoever will listen:
I know it but I can’t see it.
This startling vista, this face,
this dead wing. Not really.
The delicate coloring
of every damned thing.
Amethyst banana leaves
flipped over in a gust of wind
and blue ink elephant ears
rooted in a pocket stain.
The feeling of ghosts
blocking the road
on the island
we’ve been on
this whole time.
Morning Shifts at the Group Home
after Mary Szybist
The job was easy: I unlocked
the door and found the one
who’d been out all night
sometimes he was bleeding
and sometimes he was fine
sometimes he cried in my arms
together we came inside
and washed his hands and face
and hands again with mine on top
together we washed his clothes
and found his medicine, tending
to a cut or a bruise, taking stock
of phone and wallet and shoes
we would find the recycled flip flops
and put the first pot of coffee on
he’d open the blinds while I checked
the dishwasher from the night before
fourteen minutes to boil eggs for the whole
house, three dozen eggs bobbing there
while the man talked or looked out
the window at the garden, eyes
wet from lack of sleep or beers or longing the man would tap his fingers on the kitchen table
the man would put on some music and dance
the man would watch the news without speaking the man would stand close and watch the eggs as the rest of the home woke up cracking
no one liked the grits, the bacon made by a white lady I already told them I was no cook but for the man they took it slow, careful not to press on his wounds the blood and flip flops a horn bellowing under the table.
Jessica Kinnison’s work has appeared in Columbia Journal, Phoebe, Entropy, Juked, and The Southern Humanities Review, among other publications. A 2018 Kenyon Review Peter Taylor Fellow, her work has twice been nominated for a Pushcart Prize. In April 2020, she was listed among eight New Orleans poets to watch in POETS & WRITERS. She holds an MFA in fiction and pedagogy from Chatham University in Pittsburgh where she taught at the Allegheny County Jail. A Mississippi native, she is co-founder of the New Orleans Writers Workshop. She is currently at work on a full-length poetry manuscript entitled “Ways to Die in Mississippi” and a novel called “Jubilee.” She lives in New Orleans.