Fall 2018
Listening to 300 Years of New Orleans Music: Playlist
Songs that inspired our tricentennial music issue
Songs that inspired our tricentennial music issue
Tulane 2018 graduate Justin Gitelman spoke to members of the New Orleans music scene's next generation. Read what they had to say, and listen to his interview with NOCCA and Berklee grad Khris Royal.
Newport may not be Shakespeare’s Forest of Arden, but the film’s plot revolves around the myth of the festival as a way to turn sorrow to joy and bring the major players to romantic bliss
New Orleans has an unfair reputation as a city where the only jazz that people play is a century old
Reznor was damaged goods when he moved to New Orleans in 1995
The video for Juvenile's hit shows a community that was often ignored, despite the enormous contributions it was destined to make to popular music and culture in the United States
Generations of black New Orleanians have made the band one of their favorites of all time
Over thirty years, the DJ has impacted local music as much as traditional musical royalty
Of all the choices that young people make, they almost never regret the music
That uptown–downtown negotiation wasn’t just a local one. It was tectonic: the two great cultural regions of the hemisphere were crunching into one another.
I was stopped at the light at Rampart and Canal the first time I heard Fats Domino sing “I was standing, I was standing on the corner of Rampart and Canal." This constituted an ultimate cosmic New Orleans moment.
“Buona Sera” is New Orleans through and through, a song suffused with both poetry and party.
Musicians, authors, artists, filmmakers and others share their favorite New Orleans songs
Musicians, authors, artists, filmmakers and others share their favorite New Orleans songs
Musicians, authors, artists, filmmakers and others share their favorite New Orleans songs.
Musicians, authors, artists, filmmakers and others share their favorite New Orleans songs.
People abandon their midwestern suburbs. They escape their very important northeastern jobs. They come to New Orleans for a taste of freedom represented, in part, by the artistic work of the greatest trumpet player who ever lived and the “greatest rapper alive.”
The hymn “I’ll Fly Away” has long functioned as a signal of that transition from solemnity into celebration
It all became an aggressive gesture, a call into the night. We were still here.
Editor's letter and table of contents
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