Art
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Free Black Artists in Antebellum New Orleans
New Orleans' unique three-tiered racial system which accepted free people of color as a separate caste from enslaved blacks provided a unique opportunity for free black artists.
New Orleans' unique three-tiered racial system which accepted free people of color as a separate caste from enslaved blacks provided a unique opportunity for free black artists.
The art and life of Fritz Bultman evolved in three of the most vital American art centers of the twentieth century: New Orleans, New York City, and Provincetown, Massachusetts.
Painter Gaither Troutman Pope is best known for his landscapes of Louisiana's prairies and dark swamps influenced by nineteenth-century Luminist painters.
Koss founded Tulane University's glass studio in 1977, thus ushering the art-glass movement into New Orleans.
Best known for his paintings of New Orleans's French Quarter architecture, itinerant artist George Frederick Castleden held exhibitions in the courtyard of the Cabildo.
The works of Louisiana artist George David Coulon are known for the meticulous detail and the jewel-like quality of his portraits and landscapes, most of which were painted between 1839 and 1902.
George Dunbar has been a major figure in New Orleans contemporary art for more than five decades.
George Dureau, a quintessential New Orleans artist, also is a nationally recognized painter, sculptor, and photographer.
Artist, curator, and gallery owner George Febres helped lead the resurgence of New Orleans as a regional art center beginning in the 1970s.
The images shot by New Orleans photographer George Mugnier illustrate the life and times of Louisiana as the state entered the twentieth century.
George Viavant was widely acclaimed for his specialty in nature morte paintings, a style which boomed in popularity nationwide in the late nineteenth century.
Photographer George Long is a well-known chronicler of New Orleans street culture, locales, events, and people.
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