Folklife
Campeche Chair
The Campeche chair, a leather or caned sling seat supported by a non-folding cross-frame, was in widespread use in the United States and New Spain in the first half of the nineteenth century.
The Campeche chair, a leather or caned sling seat supported by a non-folding cross-frame, was in widespread use in the United States and New Spain in the first half of the nineteenth century.
The music of Creole fiddler Canray Fontenot cuts across a variety of musical genres: Cajun, zydeco, and blues-waltzes, a unique style combining elements of blues and jazz.
The culture and history of Mardi Gras throws, especially ubiquitous plastic beads, reflect relationships Louisianans have with each other and the spaces they inhabit.
Deeply rooted in the history, spirituality, and daily activities of the Chitimacha people, basketry remains a visible expression of the Chitimacha Indian tribe’s culture and tradition.
Congo Square, now Armstrong Park in New Orleans’s Tremé neighborhood, served as a gathering ground for Africans in the early years of the city.
The courir de Mardi Gras is the rural celebration of Mardi Gras in Louisiana, usually held in Cajun communities
Crawfish boils are a springtime ritual in Louisiana.
Many Louisiana Creole folktales represent a convergence of African and European culture.
Darryl Reeves is a master blacksmith who hand-forges decorative and functional ironwork for many of New Orleans' historic homes and public buildings.
Well known in for his audaciously decorated home and lawn, David Butler fashioned whimsical, brightly painted assemblages from salvaged roofing tin to become one of the twentieth century's most widely collected self-taught artists.
Since the mid-twentieth century, LGBTQ+ residents of Louisiana have contributed unique traditions to Mardi Gras celebrations.
Allen and Georgie Manuel were a husband-wife team who made traditional costumes of the Cajun courir du Mardi Gras, the celebration of Carnival season in rural South Louisiana.
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