Geography
Fontainebleau State Park
The Fontainebleau State Park bears the name of Bernard de Marigny's sugar plantation, which formerly occupied this site and was itself named after the estate of the French king Francois I.
The Fontainebleau State Park bears the name of Bernard de Marigny's sugar plantation, which formerly occupied this site and was itself named after the estate of the French king Francois I.
Located on the site of present-day Monroe, Louisiana, Fort Miro was a late eighteenth-century Spanish outpost that served the Ouachita River valley.
France Folse was the most successful folk painter to emerge from the Bayou Lafourche region in the twentieth century. Her painting chronicle the rapid changes that took place in the region with the discovery of oil and gas and the mechanization of the sugar industry.
Though he painted a variety of subjects, German-born painter François Jacques Fleischbein is best known as portraitist who worked in New Orleans between 1834 and 1868.
Francois Seignouret, a financially successful businessman and investor, became known as one of the greatest cabinetmakers in New Orleans, though there is no evidence that he ever made furniture with his own hands.
Sculptor Frank Hayden often explored themes of fellowship, family, Christian values, war, and civil rights in his artwork.
Fred Carter Jr. was an eclectic master guitarist who played on many important recordings.
New Orleans' unique three-tiered racial system which accepted free people of color as a separate caste from enslaved blacks provided a unique opportunity for free black artists.
Free people of color constituted a diverse segment of Louisiana’s population and included people that were born free or enslaved, were of African or mixed racial ancestry, and were French- or English-speaking
After the Louisiana Purchase, lawmakers passed numerous restrictions against free people of color, though they still experienced some economic gains and opportunities.
In colonial Louisiana free people of color developed thriving communities and had access to privileges that enslaved people did not.
Founded in 1963, the Free Southern Theater was designed as a cultural and educational extension of the civil rights movement in the South.
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