Ulrick Jean-Pierre, a New Orleans resident since the early 1990s, creates lush historical paintings of his native Haiti many infused with representations of the centuries-old connections between Haiti and his adopted city.
Few details are known about the life of British-born hunting, landscape, and portrait painter Victor Pierson, who appears on the New Orleans city directories in the late nineteenth century.
Vietnamese Americans are one of the newest major ethnic groups in Louisiana
Walker Evans, recognized as the preeminent photographer of his generation, created many of his iconic images in New Orleans and along Louisiana's River Road.
Photographer Wallace Merritt's black-and-white images, whether still life or portrait, carry the high drama of film noir framing and lighting.
Will Henry Stevens was a pioneering advocate of abstract art in the South and a faculty member at Newcomb College in New Orleans for 25 years.
Working in various Southern locations including New Orleans, painter William Aker Walker created small-scale works for tourists and large-scale, more stylized paintings for wealthy clients.
Known as the “Father of Ragtime in Shreveport,” William Christopher “W. C.” O’Hare was a white composer, orchestra leader, and music teacher who served as an important link between Black and white musical cultures.
Largely self-taught, William Edward West began as an itinerant portrait painter in the Mississippi River Valley before traveling extensively throughout the United States and Europe.
Since 1980, Louisiana photographer William Greiner has exhibited his work in solo and group exhibitions at galleries and museums around the world.
William Henry Baker was a itinerant Grand Manner portrait painter active in the New Orleans area during the nineteenth century.
Artist William Henry Buck was among the originators of the “bayou school” of painting in Louisiana.
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