Spring 2024
Motherhood and Its Malcontents
Patty Friedmann’s The Exact Image of Mother
Patty Friedmann’s The Exact Image of Mother
Julian Moreau’s The Black Commandos.
“God, don’t let me die before I do something useful.”
H. Leighton Steward’s Sugar Busters!
Cornell Woolrich’s Waltz into Darkness
Tim Edler’s Crawfish-Man
Nancy Lemann’s Lives of the Saints
John Rechy's City of Night
LeAnne Howe’s Shell Shaker
Robert Stone's A Hall of Mirrors
Tony Kushner’s Caroline, or Change
Valerie Martin's A Recent Martyr
John Dufresne’s Louisiana Power & Light
Rock journalist Nik Cohn’s Triksta chronicles a chapter in the city’s hip hop history
Louisiana’s first poet laureate was female—and vehemently anti-war
Speed Lamkin stayed stuck in the other author’s shadow
Shirley Ann Grau’s debut novel evokes the coast
A Harlem Renaissance look at the ruin of a man
Between the covers with Steve Cannon
Barbara Giles’ The Gentle Bush rewrites Gone With the Wind
A hard-boiled detective in an intergalactic world
Nelson Algren’s A Walk on the Wild Side stalked the sordid side of Depression-era New Orleans
Nelson Algren’s "A Walk on the Wild Side" stalked the sordid side of Depression-era New Orleans
On the road with The Great Big Doorstep, the second and final novel by New Orleans writer E. P. O'Donnell
"The novella is a critique of race, art, and politics that stings as much, if not more so, today than it did three decades ago."
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